Page 55 - WRY-Magazine-April-2024

REVIEWS > TRACKS

Eli Brown, Lilly Palmer - Gasoline
BY: SAMANTHA REIS
Eli Brown and Lilly Palmer combine their techno talents
Peggy Gou - 1+1=11
to deliver a powerful, throbbing gem to the dance scene.
Released on Factory 93 Records, ‘Gasoline’ promises to
BY: JACK SPILSBURY
be the fuel you need to march non-stop through the
festival season. This track is an excellent example of Mainstream breakthrough Peggy Gou has shared the exciting news of her debut album ‘I Hear You’, teasing
a successful collaborative production, playing to the with the anthemic track ‘1+1=11’. The track focuses’ around the story of togetherness with addictive back
strengths of each of the producers. ‘Gasoline’ is cohesive beats and tantalising sonics. Piano notes collectively add a sense of euphoria throughout ‘1+1=11’s’ just
and electrifying. Brown’s cavernous undertones and over 3-minute run time and although completely lyricless the track manages to capture the listener and
Palmer’s metallic drums are recognisable, resulting in a send them on an emotive journey. ‘1+1=11’ is out now on XL Recordings and will be followed by the release of
compelling techno tune. Its commanding rhythm, powerful Peggy Gou’s new album on June 7th.
bassline and acid synths are some of the elements that
make it so captivating. Its intense energy undoubtedly
Gorgon City, Caroline Byrne - All That You Need
brings something invigorating to the techno circuit. The
vocals lead the progression of ‘Gasoline’ as it gets sharper, BY: JACK SPILSBURY
giving it dynamism and a delicious rhythmic flair. It’s an
English music duo Gorgon City prepare themselves for a legendary
adrenaline rush worth experiencing.
2024 as they release ‘All That You Need’, a teaser into their upcoming
fifth studio album titled ‘Reverie’. Featuring a high level of energy, ‘All
Fedde Le Grand - Here Comes That Sound That You Need’ tantalises fans’ eardrums with melodic piano notes KSHMR, 22Bullets - Devotion
before a heavy backbeat-filled drop. Caroline Byrne sees themselves
BY: RYAN FORD BY: CREIGHTON BRANCH
as this track’s soulful vocalist, delivering effortless vocal chops that
Dance music veteran Fedde Le Grand has been delivering accompany the track’s slick production. ‘All That You Need’ is out now If you are looking for an adrenaline rush, then you have come to the right
prolific productions on a regular basis across his expansive and is to be followed by the album on ‘Reverie’ which is due out on place when listening to KSHMR and 22Bullet’s ‘Devotion.’ With a rework
career in the industry. His latest offering, ‘Here Comes That July 19th via their own label of REALM Records. on a classic 90s melody, KSHMR takes Nomad’s groundbreaking track
Sound’ demonstrates that he is showing no signs of slowing and brings it into the new age. With a tremendous response during his
down, bringing contagious disco vibes to the table. This recent club shows, there was no question that this track would become
record is a mesmeric mashup of old and contemporary an official release. The reimaging of the track includes a key change and
flavours as the topline delivers 80s nostalgia while the a faster BPM that really packs a bunch and never loses steam. KSHMR
bassline and percussion brings home that up-to-date and 22Bullets have given this track a darker tone that can stand on any
sound. Expect to hear this one on heavy rotation this year festival stage or in any underground nightclub. It’s not always easy to
as he and his peers will utilise tracks like this to add that rework a beloved classic and give it justice, but KSHMR and 22Bullets
eclectic feel to any of their upcoming sets. have passed the test with flying colors.

Seven Lions, Illenium - Not Even Love (feat. KREAM - So Hï
ÁSDÍS) BY: RYAN FORD
BY: CREIGHTON BRANCH
Norwegian duo KREAM have dipped their toes into the trending
Arguably the two biggest names in all of melodic bass sub-genre of ‘Stutter House’, with their new production, ‘So Hï’. Dropping
music. Illenium and Seven Lions are back together after on Musical Freedom, it shows off the versatility of this prestigious
eight years since their last collaboration. First premiered at DJ VITALYK (Psychotic Storm) - Beers & Happiness producer duo in the intense atmosphere it brings with it. Elevating
Illenium’s Trilogy: Los Angeles show in February, fans quickly BY: OURANIOS SAVVA the vocals as the centrepiece of this track allow them to make this
demanded a fast release date after that night, and only track sound massive in parts alongside the expansive synths used in
Ensuring nothing less than the most energetic of vibes, DJ VITALYK
two months later, ‘Not Even Love’ with ÁSDÍS has arrived. the topline in the drops. Honing in on more bass-heavy elements of
(real name Vitaly Korob) unveiled a psy-trance banger, in the form
It doesn’t take long to realize that this is one of the best production in parts too, this track keeps you guessing as to what comes
of ‘Beers&Happiness.’ Implementing his signature sound throughout,
hooks written this year. The lyrics (as one should expect with next as it did during the AFTER : LAB launch stream they did for it.
the Israeli DJ/Producer showcases no signs of slowing down, with this
two great producers) dig deep and pull out some heavy
latest release, acting as a clear testament towards the undeniable
emotions that will certainly send chills up your arms. But in Lucas & Steve, LAWRENT, Jordan Shaw - End Of Time
musical prowess that he possesses. Coming off a stellar 2023, where
a fun twist, out of three drops in the song, Seven Lions and
DJ VITALYK released his debut album, ‘Endless Dreams,’ the man of the BY: JACK SPILSBURY Nicky Romero, Sick
Illenium opt for a more progressive-inspired sound in the
moment is well and truly on his way towards global dominance, and
first and last and only reserve the second for the traditional Musical masterminds Lucas & Steve, LAWRENT and Jordan Shaw link
if ‘Beers&Happiness’ is anything to go by, we most definitely cannot Individuals - In My Head
melodic bass sound you usually hear from these artists. up for the unexpected collaboration ‘End Of Time’. Showcasing the
wait of what’s to come. A truly versatile act, DJ VITALYK continues his
After hearing this track, it’s no wonder why fans are always producer’s more poppier sound, ‘End Of Time’ delivers powerful synths
ascendancy within the dance scene, whilst each of his endeavours
asking these two to work together. Because when they do, it and feel-good soundscape, something expected to dominate airwaves BY: OURANIOS SAVVA
speak volumes of everything that he has set out to achieve thus far in
is pure magic. across the globe. Euphoric vocals join the party throughout, providing
his career. Teaming up for the second time, Nicky Romero and
heartfelt lyricism and a relatable level to the track, discussing themes
Sick Individuals bring the heat with a deep progressive
that are wanting to be around a significant other. ‘End Of Time’ is out now
anthem, entitled ‘In My Head.’ Incorporating their styles
and is well worth a listen to anyone desperate for a dopamine boost.
of play throughout, this collaboration arrives at the
most fitting of times, with both acts further illustrating
Boris Brejcha - Terminal Zero the undeniable musical prowess that they possess.
Having caused quite the havoc with ‘Only For You’ back
BY: SAMANTHA REIS
Javi Reina & Jose De Mara - No Worries in 2020, Nicky Romero and Sick Individuals return with
‘Terminal Zero’ is one of the extracts from ‘Level One’, Boris Brejcha’s
a highly addictive production, making ‘In My Head’ the
BY: RYAN FORD tenth studio album, released this month, of course, on his Fckng ultimate club and festival banger. A true testament
Serious label. It’s one of many, as the album is made up of 17 incredible to their versatile nature, this trance anthem will have
This enthralling new collaboration sees two latin house heavyweights combine for a flavoursome new
and diverse tracks. They’re all different, they show Brejcha’s different
production in ‘No Worries’. Bringing together signature elements of their sonic profiles, the track draws anyone begging for more, whilst both acts continue to
facets and they’re all important. However, ‘Terminal Zero’ plays a very leave a distinct impact on the dance scene with each
emphasis to its infectious bassline groove and eclectic percussive arrangement first and foremost.
important role in this album, as it highlights it. This track is an ode to
Upon that Javi Reina and Jose De Mara build a colourful topline that brandishes subtle synths, utilising of their endeavours.
the minimal high-tech of which Boris Brejcha is an ambassador, and
a moreish vocal sample in tandem to drive the track home. This will undoubtedly become a weapon
it embodies a solid invitation to the dancefloor. The driving bassline is,
in many DJs arsenal as a dynamic record which is sure to have crowds moving into the late nights
unsurprisingly, one of the strongest elements of ‘Terminal Zero’, making
and early mornings.
it a tantalising preview of the album as a whole. The claps brilliantly
punctuate the percussion and the synths seem to dance with each
other, creating an intricate and very volatile wave of sound. Although
many of the elements are raw and industrial, this track has a very high
level of groove, presenting a rich dichotomy between spatial elements
and more organic notes. It’s highly hypnotic and very captivating.
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